Tickets on sale now!

Reserved Seats: $65.00/advance • $70.00/door
Box Seats: $80.00/advance • $85.00/door
Balcony Seats: $55/advance • $60/door
PLEASE NOTE THAT AN ADDITIONAL FACILITY FEE WILL BE ADDED TO THE PRICE OF EACH TICKET.

Effective August 23, 2021, Stuart’s Opera House will require proof of full vaccination OR a negative COVID-19 test taken 72 hours or less prior to attending any event at Stuart’s Opera House. This requirement is for all audience, staff, special event staff, and performers. In addition to this change, all guests will be required to stay masked within all Stuart’s Opera House spaces. If you do not have a mask, one will be provided for you.

Everyone entering Stuart’s Opera House must show their legal identification along with a valid vaccination card or a legible image of their valid vaccination card.

Attendees who refuse to abide by this policy are welcome to transfer their tickets to guests who are fully vaccinated or willing to provide a negative COVID-19 test result.

We appreciate everyone’s willingness and cooperation as these new policies are necessary and essential to keep live performance happening and to keep our staff, artists, audience, and family members safe.

Stuart’s Opera House is thrilled to welcome the return of Taj Mahal to our historic stage!

“The blues is bigger than most people think,” Taj Mahal says. “You could hear Mozart play the blues. It might be more like a lament. It might be more melancholy. But I’m going to tell you: the blues is in there.”

Taj is a towering musical figure — a legend who transcended the blues not by leaving them behind, but by revealing their magnificent scope to the world. Quantifying the 77-year-old’s significance is impossible, but people try anyway. A 2017 Grammy win for TajMo, Taj’s collaboration with Keb’ Mo’, brought his Grammy tally to three wins and 14 nominations, and underscored his undiminished relevance more than 50 years after his solo debut. Blues Hall of Fame membership, a Lifetime Achievement Award from the Americana Music Association, and other honors punctuate his résumé. Taj appreciates the accolades, but his motivation lies elsewhere. “I just want to be able to make the music that I’m hearing come to me — and that’s what I did,” Taj says. “When I say, ‘I did,’ I’m not coming from the ego. The music comes from somewhere. You’re just the conduit it comes through. You’re there to receive the gift.”