Date: Friday, Feb 18th, 2022
Time: 8:00 pm
Location: Stuart’s Opera House
Tickets on sale now!
Reserved Seats: $30.00
Box Seats: $35.00
PLEASE NOTE THAT AN ADDITIONAL FACILITY FEE WILL BE ADDED TO THE PRICE OF EACH TICKET.
“What do we hold on to from our past? What must we let go of to truly move forward?
Waxahatchee’s Katie Crutchfield, a lyricist who has always let her listeners know exactly where she is at a given moment, spent much of 2018 reckoning with these questions and revisiting her roots to look for answers. The result is Saint Cloud, an intimate journey through the places she’s been, filled with the people she’s loved.
Written immediately in the period following her decision to get sober, the album is an unflinching self-examination. From a moment of reckoning in Barcelona to a tourist trap in Tennessee to a painful confrontation on Arkadelphia Road, from a nostalgic jaunt down 7th Street in New York City to the Mississippi Gulf, Crutchfield creates a sense of place for her soul-baring tales, a longtime staple of her storytelling.
This raw, exposed narrative terrain is aided by a shift in sonic arrangements as well. While her last two records featured the kind of big guitars, well-honed noise, and battering sounds that characterized her Philadelphia scene and strongly influenced a burgeoning new class of singer-songwriters, Saint Cloud strips back those layers to create space for Crutchfield’s voice and lyrics. The result is a classic Americana sound with modern touches befitting an artist who has emerged as one of the signature storytellers of her time.”
About Madi Diaz:
Nashville-based Madi Diaz marks a full restart of her artistic career with “Man In Me,” her poignant debut single/video for ANTI-. It’s a first taste of how Diaz has worked at perfecting the craft of delivering a full spectrum of emotions via songs stripped to their most confrontational and raw form. This song was produced by Diaz with additional production by Andrew Sarlo (Big Thief, Bon Iver). Across reverberating guitar strums and light piano, Diaz’s voice is evocative as she makes frank observations about a past relationship: “Do you imagine me differently // Cause when I met you swore that you saw me // When you think I might be someone else // Does it turn you on.” As the track continues, Diaz’s vocals swell exponentially, only to be drawn back to a fading note.
Diaz was originally raised in Lancaster, Pennsylvania surrounded by a family deeply immersed in music: her grandfather was a tenor in the Greenwich City Opera, both of her parents taught music lessons (piano, guitar and ukulele), her father played in a Zappa tribute band and her brother plays in a metal band. She moved to Philadelphia in her teens to have closer access to broader music education, before eventually enrolling in (and dropping out of) Berklee College of Music and moving to Nashville to more seriously pursue a career as a songwriter. After cutting her teeth in writers rooms in Nashville, Diaz moved to Los Angeles honing her songwriting skills and playing in numerous projects. After a very tumultuous relationship and break up, she bought a truck and moved back to Nashville where she became a go-to songwriter. As things slowed down, Diaz felt she had the time and space to fully confront everything in her life with a newfound sense of clarity. Over the next two years, she wrote over 100 songs, one of which is “Man In Me.” The songwriting expertise she had developed over the years is now championed in her own strikingly original and emotional music.
Effective November 11, 2021, Stuart’s Opera House will require proof of full vaccination OR a negative COVID-19 test taken 72 hours or less prior to attending any public event at Stuart’s Opera House. This requirement is for all audience, staff, special event staff, and performers. In addition, all guests will be required to stay masked within all Stuart’s Opera House spaces. If you do not have a mask, one will be provided for you.
Everyone entering Stuart’s Opera House must show their legal identification along with a valid vaccination card or a legible image of their valid vaccination card.
Attendees who refuse to abide by this policy are welcome to transfer their tickets to guests who are fully vaccinated or willing to provide a negative COVID-19 test result.
We appreciate everyone’s willingness and cooperation as these new policies are necessary and essential to keep live performance happening and to keep our staff, artists, audience, and family members safe.
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